וַֽיִּגְדְּלוּ֙ הַנְּעָרִ֔ים וַיְהִ֣י עֵשָׂ֗ו אִ֛ישׁ יֹדֵ֥עַ צַ֖יִד אִ֣ישׁ שָׂדֶ֑ה וְיַעֲקֹב֙ אִ֣ישׁ תָּ֔ם יֹשֵׁ֖ב אֹהָלִֽים׃
И мальчики выросли; Исав был хитрым охотником, полевым человеком; Иаков был тихим человеком, живущим в палатках.
Allegorical Interpretation of Genesis
[2] The prophet, moreover, finds proof that the bad man is without city or dwelling-house, in the account of Esau, the hairy man, crafty in wickedness, when he says, “Esau was skilled in hunting, a countryman” (Gen. 25:27); for vice, that hunts after the passions, is by nature unfit to dwell in the city of virtue. Rather, in utter senselessness, it follows after rustic grossness, the life of the untrained. Jacob, the man full of wisdom, belongs to a city, and as a dwelling-house he occupies virtue. The prophet says of him: “But Jacob was a simple man dwelling in a house” (ibid.).
Concerning Noah's Work as a Planter
[44] It is with deliberate care that the lawgiver says not of the man made after God’s image, but of the man fashioned out of earth, that he was introduced into the garden. For the man stamped with the spirit which is after the image of God differs not a whit, as it appears to me, from the tree that bears the fruit of immortal life: for both are imperishable and have been accounted worthy of the most central and most princely portion: for we are told that the tree of Life is in the midst of the Garden (Gen. 2:9). Nor is there any difference between the man fashioned out of the earth and the earthly composite body. He has no part in a nature simple and uncompounded, whose house and courts only the self-trainer knows how to occupy, even Jacob who is put before us as “a plain man dwelling in a house” (Gen. 25:27). The earthy man has a disposition of versatile subtlety, fashioned and concocted of elements of all sorts.
On Mating with the Preliminary Studies
[62] To this Moses testifies when he says, “Jacob was a plain or unfashioned man, living in a house” (Gen. 25:27). And therefore Esau his opposite must be houseless, and the friend of fiction and makeup and legendary follies, or rather himself the actor’s stage and the playwright’s legend.