Komentaryong Sumisipi para sa Mga Awit 100:5

כִּי־ט֣וֹב יְ֭הֹוָה לְעוֹלָ֣ם חַסְדּ֑וֹ וְעַד־דֹּ֥ר וָ֝דֹ֗ר אֱמוּנָתֽוֹ׃

Sapagkat mabuti ang Walang-Hanggan; magpakailanman ang Kanyang kagandahang-loob, at sa lahat ng salinlahi ang Kanyang katapatan.

Ibn Ezra

לא Unto him.5A. V., Not. The original reading is לו unto him, as the Masorah recommends; comp. Ps. 100:5; there are some more instances of the same kind. According to the Gaon, the meaning of לא יאסף is: Will not die; he generally explains both the Keri and the Ketib;5aComp. c. ix. Note 2. but what I said, is nevertheless right, and לא of the text is the same as לו, as the Grammarian R. Jehudah explained.6The quiescent letter after Holem (ō) which is also called mater lectionis, is generally ו, but sometimes א, so that לא can sometimes he written for לו. See Two Treatises, etc. ed. John W. Nutt, p. 11 (p. 13 in the Engl. Transl.).
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Rashbam

אמונה; keeping them steady. We find a parallel to this in Isaiah 22,23 ותקעתיו יתד במקום נאמן, ”I will fix him as a peg in a firm place.” Also in Psalms 100,5 and in Deuteronomy 28,59 we find aimilar syntax.
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Rabbeinu Bahya

לעבוד עבודת עבודה, “to perform the work of service.” This is a reference to the song which in itself was a service to support another “service,” namely the sacrificial offerings (Erchin 11). This reflects what David said in Psalms 100,5: “serve the Lord in joy.” We have a clear verse that the offerings were accompanied by song in Chronicles Ii 35,15: “the Asaphite singers were at their stations, by command of David and Asaph and Heman and Jeduthun, the seer of the king; they did not have to leave their tasks.” The “song” referred to was accompanied by music played with harps and percussion instruments. They used to sing the praises of the Lord at the times the daily public sacrifices were being offered on the Altar.
Our sages (Erchin 13) discuss the details of the musical instruments such as the number of strings on the harp (lyre) being seven. They base this on Psalms 16,11 שובע שמחות את פניך, “In Your presence is perfect joy.” They suggest that instead of reading the word for “perfect” as sovea, it should be read as sheva, “seven,” [same spelling as letters without vowels. Ed.] According to tradition, when the Messiah will come the music played at the sacrificial offerings will be on an instrument with eight instead of seven strings. This is alluded to in Psalm 12,1 which commences with the words: “on the eight-stringed instrument.” In a still more distant period we envision a harp featuring ten strings as alluded to in Psalms 33,2 as well as 92,4. All of these details are discussed at the end of the second chapter of Erchin. [The relevance of these somewhat peripheral-sounding discussions is that our present universe is perceived as being based on the seven fixed stars, planets of pre-Copernicus astronomical principles, Ed.].
It is presumed that the general supervision exercised by G’d over all of mankind once the messianic age arrives will be increased to eight such planets. At a still later period, the period perceived as “the world to come” (in terms of resurrection of the dead), the world will enjoy supervision by G’d based on ten planets assigned that task.
You should be aware that the entire subject of song being offered during the offering of the public sacrifices has not been spelled out anywhere until the time of David.
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