בָּעֵ֨ת הַהִ֜וא אָמַ֧ר יְהוָ֣ה אֵלַ֗י פְּסָל־לְךָ֞ שְׁנֵֽי־לֻוחֹ֤ת אֲבָנִים֙ כָּרִ֣אשֹׁנִ֔ים וַעֲלֵ֥ה אֵלַ֖י הָהָ֑רָה וְעָשִׂ֥יתָ לְּךָ֖ אֲר֥וֹן עֵֽץ׃
אין יענער צײַט האָט גאָט צו מיר געזאָגט: האַק דיר אױס צװײ שטײנערנע לוחות אַזױ װי די ערשטע, און קום אַרױף צו מיר אױפֿן באַרג; און זאָלסט דיר מאַכן אַ הילצערנעם אָרון.
Akeidat Yitzchak
The first explananation obviously refers to our parable of the cave and the sea. Moses became filled with the sea of wisdom. Combined with Moses’s own accomplishments, he emerges as a partner of the Lord. The second explanation reveals another aspect of the man/G-d partnership. It deals with the nature of the second set of tablets. Their composition consisted of three components, (a) the natural element, granite. (b) they acquired a finished appearance by means of work, polishing. (c) the Divine element, i.e. the inscription, as the Torah states "and the writing was the writing by the Lord." Each of the above items can be further subdivided into two, making the tablets have six facets. This is what the sages hinted at when they described the tablets as having the dimension of six tefachim. The word tefach is used in Isaiah 48, 13, as describing G-d’s workmanship. So we have the following: 1- A, a piece of granite, primeval matter. B, this primeval matter was condensed into a certain density. 2- A, the finished appearance, preceded by the tools needed to treat that raw material. B, correct size and shape. 3- A, writing material. B, the message, text. Moses, exclusively, provided the shaping of the tablets and the tools for the work. G-d, exclusively, contributed the writing material and the text. There remained therefore two tefachim that allowed for partnership. Those two tefachim became subject to combined influences. When Moses perceived the nature of the partnership with G-d, implied by the fact that both tablets had equal dimensions, he became happy, his face radiated his happiness that such is the nature of the partnership with the Creator. This is the meaning of the verse "and Moses went up to G-d," (Exodus 19,3) or the parallel statement in Psalms 68,19, "you went up to the heights." The author continues with an attack on Maimonides who restricts philosophic disagreements with Aristotele to the area of creation ex nihilo. Finally, the third view expressed in the Midrash, that of Rabbi Yehudah who ascribes the rays that emanated from Moses’s forehead as due to ink spilled inadvertently when G-d wrote on the tablets. This means that the leftover of the great mass of sea i.e. "ink" that entered the cave and receded, was to teach that once watered by G-d, irrigated so to speak, such inspiration does not evaporate but is reflected in the appearance of the recipient. All three Rabbis then comment on the interrelationship between man and G-d, and how same is illustrated by the rays of Divinity illuminating the face of Moses on his return from his summit meeting with G-d on Mount Sinai. The author questions the view of Maimonides that would have Moses pose two separate questions, and which if answered positively would have made a kind of deity out of Moses. He prefers to treat what appears as Moses’s two questions ( 33, 13 and 33, 18) as parts of a single question, meaning "let me know Your ways so that I will know more about You."