Tafsiran yang Mengutip untuk Ayub 29:14

צֶ֣דֶק לָ֭בַשְׁתִּי וַיִּלְבָּשֵׁ֑נִי כִּֽמְעִ֥יל וְ֝צָנִ֗יף מִשְׁפָּטִֽי׃

Aku mengenakan keadilan, dan keadilan pun mengenakan aku; keputusan hukumku bagaikan jubah dan serban.

Rabbeinu Bahya

There are four distinct levels of prophecy. Bat Kol, Urim veTumim, Ruach haKodesh, and full-fledged prophecy. They are listed here in ascending order, but all of them are derivatives of the emanation tzedek; this is the meaning of Job 29,14: ”I clothed myself in righteousness and it robed me; Justice was my cloak and turban.”
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Rabbeinu Bahya

וצפית אותו זהב טהור מבית ומחוץ תצפנו, “you are to overlay it with pure gold, from the inside and the outside you are to overlay it.” This verse is used by our sages (Yuma 72) to demand that Torah scholars must be able to demonstrate that they practice what they preach. They base this on the Ark which was gold on the inside as well as on the outside. Although no one actually saw the inside, it had to correspond to its exterior. Another verse which alludes to this subject is Job 29,14: “I clothed myself in righteousness and it robed me; Justice was my cloak and turban.” The repetition in this verse means that one’s inside must match the image one creates for oneself on the outside. Our sages add further on this subject: “why were the words of Torah compared to glass?, i.e. (Job, 28,17) “gold or glass cannot match its value?” Answer: just as glass is transparent and allows you to see not only the outside but also the interior, so bearers of Torah must be able to be equally transparent, not hiding character weakness not visible to their students or to their peers.
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Rabbeinu Bahya

וירא את העגל ומחלות, “and when he saw the calf and the dances, etc.” Of all the various musical instruments which were being used at that time, the Torah identifies only the מחלות, The fact is that you find that Scriptures lists a total of seven varieties of musical instruments each one corresponding to one of the seven fixed stars (galaxies, which formed the basis of astronomy and astrology until Copernicus). The instrument known as כנור corresponded to the planet Saturn, whereas the instrument known as תוף, drum, corresponded to the planet Jupiter. The instrument known as עוגב corresponds to the planet Venus; the instrument known as צלצלי שמע corresponds to the planet Mercury. The instrument known as צלצלי תרועה corresponds to the moon, whereas the instrument known as מחול corresponds to the planet Mars. The instrument known as מנים corresponds to the planet Sun.
In Psalms 150 there is a list of nine different musical instruments corresponding to nine planets (galaxies). The experts of music know how each of these instruments match the specific nature of the planets and zodiac influences they are to represent or counter, respectively. The שופר and נבל which are unaccounted for in our list but have appeared in Psalm 150 each have their cosmic function also. The שופר represents an all-embracing planet, one that orbits all the other planets, whereas the instrument known as נבל, corresponds to the eighth planet the sphere within which all the stars we observe are orbiting. The reason that in connection with the golden calf the instrument מחול is singled out for special mention is that in the desert the influence of the planet Mars is exceedingly potent. You will note that already after the Israelites had been saved by walking through the sea whereas their pursuers the Egyptians perished in that same sea, Miriam and her companions took two instruments with which they accompanied their song of praise to G’d, namely the מחול and the תוף (compare Exodus 15,2). In that connection the Torah mentioned that Miriam was the sister of Aaron, a fact familiar to every reader of the Torah. It appears that some of the ladies banging the drums at that time directed their thanks-giving at the planet Jupiter, the planet to which this instrument corresponds. In order to offset such erroneous כוונות the Torah (Miriam) mentioned that her brother Aaron represented צדק seeing that he was such a perfectly righteous and lovable person. This thought about Aaron would deflect what could otherwise have been a serious theological error on the part of the women playing the drums.
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