Essay su Esodo 37:31

Parallel to 25:10–22, this account specifies Betzalel as the artist, otherwise behaving like the other passages in this chapter.

This corresponds to 25:23–30, with the omission of the Bread of the Presence.

The parallel account is 25:31–40, except for details there regarding its placement in the overall structure.

This is a case similar to that of the lampstand (cf. 30:1–5).

To round out the description of the incense altar, the text adds mention of these ingredients (cf. 30:25, 35).