כִּֽי־עָמַ֨ד מֶלֶךְ־בָּבֶ֜ל אֶל־אֵ֣ם הַדֶּ֗רֶךְ בְּרֹ֛אשׁ שְׁנֵ֥י הַדְּרָכִ֖ים לִקְסָם־קָ֑סֶם קִלְקַ֤ל בַּֽחִצִּים֙ שָׁאַ֣ל בַּתְּרָפִ֔ים רָאָ֖ה בַּכָּבֵֽד׃
Sebab raja Babel berdiri di persimpangan jalan, di pangkal kedua jalan itu, untuk melakukan tenung: ia melontarkan anak-anak panah, ia bertanya kepada patung-patung terafim, dan ia memeriksa hati hewan.
Rashi
he furbished the arrows Heb. קִלְקַל, he furbished the arrows with a glitter. He shot an arrow upward, and it turns by itself right or left, and to the place it turns—that is the lot.
Rashi
he flashed with the arrows Menachem (p. 155), connected it with (above 1:7): “burnished (קָלָל) copper”; (Ecc. 10:10): “and he did not sharpen (קִלְקֵל) the edge.” It may also be explained as an expression of deterioration, as in (Jer. 4:24): “and all the hills deteriorated (הִתְקַלְקָלוּ).” Some translate קִלְקַל into French, as trait, he shot, and Jonathan as well renders קִלְקַל בֲּחִצִים as קְשֲּׁתבְּגִרְרֲיָא.
Rashi
he inquired of the teraphim An image that talks through magic, and there is a set time, that if one makes it at that time, it possesses speech forever.