Essay su Numeri 24:1
וַיַּ֣רְא בִּלְעָ֗ם כִּ֣י ט֞וֹב בְּעֵינֵ֤י יְהוָה֙ לְבָרֵ֣ךְ אֶת־יִשְׂרָאֵ֔ל וְלֹא־הָלַ֥ךְ כְּפַֽעַם־בְּפַ֖עַם לִקְרַ֣את נְחָשִׁ֑ים וַיָּ֥שֶׁת אֶל־הַמִּדְבָּ֖ר פָּנָֽיו׃
E quando Balaam vide che era contento che il Signore benedisse Israele, non andò, come altre volte, a incontrare incantesimi, ma posò la faccia verso il deserto.
The Five Books of Moses, by Everett Fox
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The Five Books of Moses, by Everett Fox
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The Five Books of Moses, by Everett Fox
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The Five Books of Moses, by Everett Fox
Few moments in the Torah, to my thinking, can compare with what now happens in this story. The description of Bil’am’s transformation in the opening verses is matched and even surpassed by what happens to the poetry of this section. From v.3 on, we are treated to an elevation and intensification of poetic language, beginning with the rhythmic opening lines and continuing through the pregnant Middle Eastern imagery of trees and water.
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