출애굽기 15:1의 Musar
אָ֣ז יָשִֽׁיר־מֹשֶׁה֩ וּבְנֵ֨י יִשְׂרָאֵ֜ל אֶת־הַשִּׁירָ֤ה הַזֹּאת֙ לַֽיהוָ֔ה וַיֹּאמְר֖וּ לֵאמֹ֑ר אָשִׁ֤ירָה לַֽיהוָה֙ כִּֽי־גָאֹ֣ה גָּאָ֔ה ס֥וּס וְרֹכְב֖וֹ רָמָ֥ה בַיָּֽם׃
이 때에 모세와 이스라엘 자손이 이 노래로 여호와께 노래하니 일렀으되 내가 여호와를 찬송하리니 그는 높고 영화로우심이요 말과 그 탄 자를 바다에 던지셨음이로다
Shenei Luchot HaBerit
We further have to keep in mind that the שירה, song, in our portion is introduced by the words: את השירה הזאת, "-in the feminine gender. This is peculiar in view of the fact that the corresponding song offered by the women under Miriam's leadership is addressed to להם, masculine. Why is Miriam's song not introduced by the words: ותען להן in the feminine gender? There are some linguistic experts who claim that the women never actually engaged in song, that they were not obligated to thank G–d in song but only played the drums and cymbals to give vent to their joy. According to these linguists, a number of Jewish men came to watch the women dance, whereupon Miriam called out to them: "Sing to the Lord, etc." Our sages reject this interpretation, saying that the women paraphrased Moses in their song.
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